
Tales from the Crypt
1989 · TVThe Crypt Keeper hosts weekly horror pulled from the EC Comics catalog, complete with outstanding practical effects and a very mean sense of humor.
Supernatural horror pits ordinary people against something that defies natural law, leaving them without the usual protections of locks, police or reason. Ghosts, curses, forces that operate outside the rules of the physical world. Curated supernatural horror is the broadest tent in the genre and also the oldest. These films work because they tap into something pre-rational, the part of the brain that still isn't sure what's in the dark.

The Crypt Keeper hosts weekly horror pulled from the EC Comics catalog, complete with outstanding practical effects and a very mean sense of humor.

A stranger carrying something ancient and valuable is cornered in a boarding house, and the creature outside will destroy anyone to get it.

Art the Clown returns for a Christmas setting this time, with an expanded mythology and a purpose connected to a woman from the previous film.

George and Kathy Lutz can't believe the price on a big waterfront house on Long Island, and soon after moving in with their three children, they start learning why nobody else wanted it.

The Lutz family buys a house on Long Island where a family was murdered, reasoning that it's cheap for a reason. They spend 28 days inside before leaving everything behind.

Tommy and Austin Tilden perform an autopsy on an unidentified young woman with no visible cause of death. The examination reveals something not in any textbook.

Finney Blake is taken by the Grabber and held in a soundproofed basement in 1978 Denver. A disconnected black phone on the wall begins receiving calls from boys who were killed before him.

Kat and Rose are left behind at Bramford Academy when their parents fail to pick them up for winter break. Miles away, a young woman named Joan accepts a ride from a couple headed the same way.

Three film students go into the Maryland woods to document a local legend. Only the footage comes back out.

Maggie Gyllenhaal directs The Bride with an interest in the female monster's own experience of being created, giving the story a perspective neither Shelley's novel nor the 1935 film fully occupied.

A gleaming black car with nobody visible behind the wheel starts mowing down people in a small Utah desert town, and the local lawmen can't work out who, or what, is driving it.

Grieving composer John Russell rents an enormous, silent Seattle mansion to work in peace, until a pounding that starts at the same hour every morning tells him he isn't alone.

Ed and Lorraine Warren are called to examine a Rhode Island farmhouse and find the house has been waiting for a family like the Perrons for years.

Ed and Lorraine Warren investigate the Enfield Poltergeist case in 1977 England, involving a single mother and her children in a council house.

Ed and Lorraine Warren investigate a case in their final years that connects to the larger demonic framework established across the previous Conjuring films.

Arne Johnson's murder case in 1981 Connecticut involves Ed and Lorraine Warren's claim that he was not responsible for his actions because of demonic influence.

A year to the night after a gang murders him and the woman he was about to marry, a young rocker climbs out of his grave with a crow at his shoulder and a list of names. Detroit's rain-slicked rooftops become his hunting ground.

Anna Garcia investigates a custody case connected to La Llorona and finds herself and her children targeted by the weeping figure.

Five friends find an old tape recording in a remote Tennessee cabin and play it. Whatever it wakes up in the woods doesn't stop until it's gone through everyone inside.

A priest is charged with negligent homicide after a young woman dies following an exorcism. The priest's lawyer, an agnostic, has to decide what she actually believes happened.
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