Curated Supernatural Horror

An investigation into the Nun's activity in France brings Sister Irene back into contact with the entity first encountered in Romania.

An American diplomat quietly swaps his stillborn child for an orphan at birth. The signs surrounding the boy begin accumulating.

A cozy horror game where you craft plants for late-night customers and manage a small shop. The customers who come after dark aren't quite what you'd expect.

Rachel Keller investigates a videotape linked to four simultaneous deaths. Then she watches it herself.

Rachel moves to a small Oregon town hoping to leave Samara behind. Samara isn't finished.

Jack Torrance moves his family into an empty mountain hotel for the winter to write and recover, but the hotel has other plans for him.

A hospice nurse takes a job at an old Louisiana plantation house and finds a locked room in the attic the family isn't eager to discuss.

Kate escaped from Liam's obsession and took refuge in her grandfather's mansion. Strange occurrences raise questions about who, exactly, is out there.

Two masked figures knock on a door in the woods asking if Tamara is home, and when she isn't, they stay anyway.

Ms. Appleton was always a wellspring of kindness, until The Voice started talking to her and gave her very specific ideas about her next supper.

Rod Serling hosts a weekly anthology at the intersection of science fiction, fantasy, horror, and the deeply uncomfortable. The twist ending as a dramatic device was invented here.

Mina and her father and stepmother enter a pocket forest created by a presence that has been observing the outside world for centuries. The rules of the space prevent them from leaving.

A boy on holiday with his grandmother stumbles into a hotel conference room full of witches and overhears exactly the wrong thing.

Arthur Kipps, a young solicitor, travels to a remote English village to handle an estate. The community's fear of the woman in black turns out not to be superstition.

A woman's outdoor space becomes restricted by something that has appeared there and refuses to let her leave the property.

In 1953 Los Angeles, a Black family moves into an all-white neighborhood and finds that the terror in their new home comes from both inside and outside its walls.

They Will Kill You blurs the line between documentation and horror fiction in ways that make the threat feel present rather than constructed.

Amanda and George Hall move into a Hudson Valley house and find the property's history involves their neighbors in ways that make the fresh start complicated.

A widower inherits his eccentric uncle's glass estate, which turns out to be a machine powered by twelve trapped ghosts. Getting out requires solving it.

James and Anne are at a remote property when something begins affecting one of them in ways that threaten their relationship and their survival.