
Signs
2002 · MovieCrop circles appear overnight on a Pennsylvania farm and a former minister tries to make sense of what his family is facing.
Technology, space, and scientific progress all share the same shadow side. Curated sci-fi horror lives there, films where the innovation is real and the consequences are worse. The genre has always been less about the future and more about what we're willing to do to get there.

Crop circles appear overnight on a Pennsylvania farm and a former minister tries to make sense of what his family is facing.

Heather Mason is drawn to Silent Hill to investigate her origins and finds the same nightmare her adoptive mother experienced.

A video game with an unusual hook reveals that the deaths inside it are happening to real people outside it.

Will Byers vanishes from Hawkins, Indiana and the investigation pulls his friends, his mother, and a local cop into something that shouldn't exist.

Maggie Gyllenhaal directs The Bride with an interest in the female monster's own experience of being created, giving the story a perspective neither Shelley's novel nor the 1935 film fully occupied.

A handful of outsiders at Herrington High start comparing notes on their teachers' behavior and arrive at an explanation that sounds impossible and turns out to be accurate.

Seth Brundle has built a working teleporter and decides to test it on himself. The machine doesn't account for a passenger.

Seth Brundle's son was born already changing, raised inside a Bartok Industries lab that has very specific plans for what he's becoming.

Cecilia Kass escapes her abusive partner Adrian Griffin and tries to rebuild her life. Evidence accumulates that Adrian is still watching.

One hundred boys compete in the Long Walk, a national event in an alternate America where the last walker remaining receives any prize they request and the rest die where they stop.

A new group occupies the vertical prison and the system has been modified in ways that the previous film's ending suggested.

One night per year, all crime including murder is legal. The Sandin family locks down their home for the evening.

Brad and Janet take shelter from a storm in a nearby castle where the host has a science project almost ready to unveil and guests are welcome to stay for it. It's deliberately absurd and entirely committed to that.

Joanna Eberhart moves her family to a suburb called Stepford and notices something unusual about the wives there. They seem happy in ways that don't quite add up.

Joanna Eberhart's career implodes and her husband relocates the family to the perfect suburb of Stepford. The wives there seem engineered rather than merely content.

Sue Morrow injects the Substance and creates a second younger version of herself. The two halves must share existence within the program's strict rules.

A research team in Antarctica takes in a stray dog from a neighboring camp. What comes out of that dog is a very different problem.

A Norwegian research team uncovers something in the Antarctic ice. The prequel explains what happened at the camp discovered at the start of the 1982 film.

Rod Serling hosts a weekly anthology at the intersection of science fiction, fantasy, horror, and the deeply uncomfortable. The twist ending as a dramatic device was invented here.

Four directors, four very different approaches to the same source material. At least two of the segments are legitimately great.
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